WHAT'S NEW

TRANS.FORM.WORK.THREE CASE STUDIES OF INTERNET-BASED ART IN THE REAL SPACE (2009), Sabine Hochrieser, carlos katastrofsky (Michael Kargl), Franz Thalmair, essay was presented at the 3RD INCLUSIVA-NET MEETING: "NET.ART (SECOND EPOCH). The Evolution of Artistic Creation in the Net-system.", organised by Medialab-Prado Madrid and Centro Cultural de España en Buenos Aires.

00. Curediting: Translational Online Work, September 2008, ed CONT3XT.NET (Sabine Hochrieser, carlos katastrofsky (Michael Kargl), Franz Thalmair),
Vague Terrain. Digital Art / Culture / Technology, online journal, vol 11.

Curating / General

James Clifford (2000) On Collecting Art and Culture, in Simon During (ed.), The Cultural Studies Reader, London: Routledge, p. 60-61.

Neil Cumming (1997) Everything, http://www.chanceprojects.com/node/337

Paul O'Neill (ed.) (2006) Curating Subjects, London: Open Editions and Amsterdam: De Appel. Available from http://www.artdata.co.uk and email: orders@openeditions.com

Paul O'Neill, Action Man: Paul O'Neill Interviews Seth Siegelaub, in The Internationaler, Issue 1, June, 2006, pp. 5-7. Republished by Curatorial Network November 2007, download ActionMan(SethSiegelaub).pdf

Ute Tischler and Christoph Tannert (2004) MIB-Men in Black: Handbook of Curatorial Practice, Berlin: Revolver Books.

Colin Searls (2007) Reflections on Artistic Autonomy, in SLOW exhibition, Plymouth Arts Centre, Plymouth, UK, January 2007, download slowbrochure.pdf

Curating / Politics of Participatory Art

Claire Bishop (ed.) (2006) Participation, Cambridge, Mass.: The MIT Press; reviewed in Mute by Paul Helliwell http://www.metamute.org/en/exodus

Melanie Franklin Cohen (2006) Who Cares, New York: Creative Time Books.

Maria Lind (2007) The collaborative turn, in Johanna Billing, Maria Lind and Lars Nilsson (eds.) Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices, London: Black Dog Publishing. 15-31.

Ted Purves (ed.) (2004) What We Want Is Free: Generosity and Exchange in Recent Art, New York: State University of New York Press.

Links:

http://www.workinginpublicseminars.org/
research programme in conjunction with Suzanne Lacy's Research Fellowship with 'On The Edge' http://www.ontheedgeresearch.org

http://www.arts.manchester.ac.uk/museology/
University of Manchester' research programme on curatorship, exhibition interaction and participatory practice including the impact of community engagement with contemporary art and material culture

http://www.situations.org.uk/research_research_resource_situations_papers.htm
Situations'papers recorded since 2003 with particular regard to participatory practice

http://www.situations.org.uk/research_resource_publications.htm
Contemporary Art: From Studio to Situation book, edited by Claire Doherty and published by Black Dog Publishing

http://www.ontheedgeresearch.org
practice led research programme at Gray's School of Art, Aberdeen, UK

Curating / New Media / Internet

Inke Arns, Jacob Lillemose (2005) It's Contemporary Art, Stupid
http://www.projects.v2.nl/%7Earns/Texts/Media/ArticleforArgos-Arns-Lillemose.pdf

Art-Place-Technology Symposium (2006) I Organise Stuff therefore I Am
http://www.art-place-technology.org/blog/?p=4

Art-Place-Technology Symposium (2006) Curator is a Title you Earn, not Take
http://www.art-place-technology.org/blog/?p=7

Art-Place-Technology Symposium (2006) The Museum and the Digital Archive
http://www.art-place-technology.org/blog/?p=8

Art-Place-Technology Symposium (2006) Who is Collecting New Media Art?
http://www.art-place-technology.org/blog/?p=9

Robert Ayers (2007) Code in a Box (about collecting New Media Art)
http://www.artinfo.com/articles/story/25445

Camille Baker (2007) New Media CURATING Hell—part 1
http://blog.furtherfield.org/?q=node/28

Camille Baker (2007) New Media Curating pt 2—follow-up
http://blog.furtherfield.org/?q=node/60

Jack M. Balkin (2003) Cultural Software: A Theory of Ideology
http://www.yale.edu/lawweb/jbalkin/cs/index.htm

Tatiana Bazzichelli (2006) The Networking. The Net as an Artwork
http://www.networkingart.eu/english.html

Amanda Beck (2007): Artists Ponder Future of Digital Mona Lisas
http://www.washingtonpost.com/wp-dyn/content/article/2007/01/19/AR2007011901084.html

Jacques Perconte (2005) a wiki story of net art (open source), original (incomplete) story is brought to you by Bookchin, Natalie (bookchin-at-action-tank.org) begun 9/99
http://www.technart.fr/NetArtHistory/

Sarah Boxer (2005) Web Works That Insist on Your Full Attention
http://www.nytimes.com/2005/06/28/arts/design/28rhiz.html?ex=1277611200&en=93a6514efbc5a36e&ei=5088%22%02ner=rssnyt%0D&emc=rss

Shane Brennan (2007) New Climates for Curatorial Practice: Exhibiting Art Across Distributed Networks
http://shanebrennan.net/climate/curatorial-essay/

Andreas Brogger (2001) Creative Computer Science: An Introduction to Johan Brucker-Cohen
http://www.afsnitp.dk/onoff/Projects/broggerjonahbruc.html

Andreas Brogger (2001) Art in a Culture of Cut-Copy-and-Paste
http://www.afsnitp.dk/onoff/Texts/broggerartinacul.html

Andreas Brogger (2001) Net art, web art, online art, net.art?,
http://www.afsnitp.dk/onoff/Texts/broggernetart,we.html

Ana Buigues (2007) Ars Publica—Curatorial Report
http://newmediafix.net/daily/?p=1287

Wayne Carlson (2004) A Historical Timeline of Computer Graphics and Animation
http://design.osu.edu/carlson/history/timeline.html

Wayne Carlson (2004) A Critical History of Computer Graphics and Animation
http://design.osu.edu/carlson/history/lessons.html

Sarah Cook (2002) Net Art, Art Criticism, Curating
http://www.xs4all.nl/%7Ejesis/artcritic ... ream6.html

Lauren Cornell (2007) An interview with the curators of "Feedback", (Charlie Gere, Christiane Paul, Jemima Rellie), http://rhizome.org/thread.rhiz?thread=2 ... 1#48766%20

Suw Charman (2008) The Democratisation of Everything and the Curators Who Will Save our Collective Ass,
http://strange.corante.com/archives/200 ... on_of_ev...

Sebastian Chan, Jim Spadaccini (2007) Radical Trust: The State of the Museum Blogosphere,
http://www.archimuse.com/mw2007/papers/ ... ccini.html

Régine Debatty (2007) Interview with Sarah Cook
http://www.we-make-money-not-art.com/ar ... 009560.php

Steve Dietz (1997) Curating (on) the Web, paper presented at Museums and The Web, an International Conference, Toronto, Ontario, Canada, April 22-25, 1998, Pittsburgh: Archives & Informatics, http://www.archimuse.com/mw98/papers/dietz/dietz_curatingtheweb.html

Steve Dietz (2001) Curating new media, in De Carin Kuoni (ed.), Words of wisdom: a curator's vade mecum on contemporary art, New York: Independent Curators International, pp.49-52.

Steve Dietz (2007): Collecting New Media Art: Just Like Anything Else
http://neme.org/main/524/collecting-new-media-art

Steve Dietz (2001): Why have there been no great Net Artists
http://www.afsnitp.dk/onoff/Texts/dietzwhyhavether.html

Steve Dietz (2002) Ten Dreams of Technology
http://www.nydigitalsalon.org/10/essay.php?essay=8

Helmut Draxler (2001) The Allegorical Impulse of the Curator, An interview with Fareed Armaly
http://www.fareedarmaly.net/CV/a_armaly_draxgE.htm

Vince Dziekan (2005) Beyond the Museum Walls: Situating Art in Virtual Space
http://journal.fibreculture.org/issue7/issue7_dzekian.html

-empyre- archives (2003) net art, curating and power
[//mail.cofa.unsw.edu.au/mailman/htdig/empyre/2003-March/msg00013.html:https://mail.cofa.unsw.edu.au/mailman/htdig/empyre/2003-March/msg00013.html?]

Matthew Fisher, Twiss-Garrity, Beth A. (2007) Remixing Exhibits: Constructing Participatory Narratives with On-Line Tools to Augment Museum Experiences
http://www.archimuse.com/mw2007/papers/fisher/fisher.html

Charlie Gere (2006) Network Art and the Networked Gallery
http://www.tate.org.uk/netart/networkgallery.htm

Charlie Gere (2004) New Media Art and the Gallery in the Digital Age
http://www.tate.org.uk/research/tateresearch/tatepapers/04autumn/gere.htm

Regina Gleeson (2004) Dislocate, Renegotiate and Flow. Part I: Globalisation's Impact on Art Practice
http://www.culturalfishing.net/dislocate1.html

Regina Gleeson (2004) Dislocate, Renegotiate and Flow. Part II: The Practice of Process
http://www.culturalfishing.net/dislocate2.html

Regina Gleeson (2004) Dislocate, Renegotiate and Flow. Part III: The Mercurial Curatorial
http://www.culturalfishing.net/dislocate3.html

Beryl Graham and Sarah Cook (1999) Curating New Media: Net or not Net, in Art Monthly, London, November, pp.44-45.

Beth Granter (2006) Essay on Curating New Media
http://bethgranter.wordpress.com/files/2007/02/curatingnewmediaart-noappendix.pdf

Rachel Greene (2000) Web Work: A HISTORY OF INTERNET ART
http://findarticles.com/p/articles/mi_m0268/is_9_38/ai_65649375/print

Olga Goriunova (2007) Internet platforms: cultural production in late capitalism
http://www.networkcultures.org/networktheory/index.php?onderdeelID=12&paginaID=75&itemID=197

Jonathan Harris (2002) Control, Alt, Delete?
http://www.metamute.org/en/Control-Alt-Delete

Mark R. Hancock (2005) Curation Mastication Preservation
http://www.furtherfield.org/displayreview.php?review_id=133

Mark Hutchinson, Dave Beech (2005) On Expertise, Curation & the Possibility of the Public
http://www.slashseconds.org/issues/001/003/articles/mhutchinsondbeech/index.php

Jon Ippolito (1998/1999) The Museum of the Future: A Contradiction in Terms?
http://three.org/ippolito/

Jon Ippolito (2002) Ten Myths of Internet Art
http://www.nydigitalsalon.org/10/essay.php?essay=6

Caitlin Jones (2006) Case Study: CRUMB
http://resourceguide.eai.org/collection/computer/casestudy_crumb.html

Steve Kaplan (2006) The Limits of Pedagogy and the Specter of the Dysfunctional Museum
http://post.thing.net/node/1097

Christoph Klütsch (2007) Computer Graphic—Aesthetic Experiments Between Two Cultures
http://www.mitpressjournals.org/doi/abs/10.1162/leon.2007.40.5.421

Joasia Krysa (2006) Introduction - Curating Immateriality: The Work of the Curator in the Age of Network Systems http://www.data-browser.net/03/DB03introduction.pdf

David Levi Strauss (2006) The Bias of the World: Curating After Szeemann & Hopps
http://brooklynrail.org/2006/12/art/the-bias-of-the-world

Peter Lewis (2005) On Curating http://www.slashseconds.org/issues/001/003/articles/01_plewis/index.php

Patrick Lichty (2007) The Role of the Later Career New Media Artist
http://post.thing.net/node/1223

Patrick Lichty (2002) Reconfiguring the Museum. Electronic Media and Emergent Curatorial Models
http://www.intelligentagent.com/archive/Vol3_No1_curation_lichty.html

Brent MacGregor (2002) Cybernetic Serendipity Revisited
http://design.osu.edu/carlson/history/PDFs/cyberserendipity.pdf

MA Curatorial Practice Archive: Curating Now 01
http://www.cca.edu/curatingarchive/archives/CuratingNow01.pdf

MA Curatorial Practice Archive: Curating Now 04
http://www.cca.edu/curatingarchive/archives/CuratingNow04.pdf

MA Curatorial Practice Archive: Curating Now 05
http://sites.cca.edu/curatingarchive/archive/CuratingNow05.pdf

MA Curatorial Practice Archive: Curating Now 06
http://sites.cca.edu/curatingarchive/archives/CuratingNow06.pdf

Terry Makewell (2007) User-generated exhibitions at museums
http://www.nzlive.com/blog/2007/08/20/user-generated-exhibitions-at-museums/

Lev Manovich (2002) Models of Authorship in New Media
http://switch.sjsu.edu/nextswitch/switch_engine/front/front.php?artc=65

Lev Manovich (2002) Ten Key Texts on Digital Art: 1970-2000
http://www.nydigitalsalon.org/10/essay.php?essay=11

David Mollin (2005) The Curator, So to Speak, Chooses You
http://www.slashseconds.org/issues/001/003/articles/dmollin/index.php

Susan Morris (2001): Museums and New Media Art, A research report commissioned by The Rockefeller Foundation http://www.cs.vu.nl/~eliens/archive/refs/Museums_and_New_Media_Art.pdf

Ulla Maaria Mutanen (2006) On Museums and Web 2.0
http://ullamaaria.typepad.com/hobbyprincess/2006/06/museums_and_web.html

Nick Montfort, Noah Wardrip-Fruin (2004) Acid-Free Bits: Recommendations for Long-Lasting Electronic Literature http://eliterature.org/pad/afb.html

Gregor Muir (2002) Past, Present and Future Tense http://www.nydigitalsalon.org/10/essay.php?essay=7

Michael Naimark (2002) Nonlinear History of New Media http://stage.itp.nyu.edu/history/index.html

Mark Napier (2001) The Aesthetics of Programming
http://www.afsnitp.dk/onoff/Texts/napiertheaesthet.html

Franziska Nori (ed.) (2002) I love you: computerviren, hacker, kultur, exhibition catalogue, Frankfurt: Museum für Angewandte Kunst http://www.digitalcraft.org/iloveyou/

Hans-Ulrich Obrist (1996) Mind Over Matter—Interview with Harald Szeemann
http://findarticles.com/p/articles/mi_m0268/is_n3_v35/ai_18963443/print

Hans-Ulrich Obrist (2001) Evolutional Exhibitions
http://www.attese.it/attese1/article13/index.html

Paul O'Neil (2005) Practice Becoming Common Discourse
http://www.slashseconds.org/issues/001/003/articles/poneil/index.php

Christiane Paul (2002) Collaborative Curatorial Models and Public Curation
http://switch.sjsu.edu/nextswitch/switch_engine/front/front.php?artc=70

Christiane Paul (2007) Challenges for a Ubiquitous Museum: Presenting and Preserving New Media
http://neme.org/main/571/preserving-new-media

Christiane Paul (2007) Myths of Immateriality: Curating, Collecting and Archiving Media Art
http://www.donau-uni.ac.at/en/department/bildwissenschaft/veranstaltungen/telelectures/archiv/index.php

Christiane Paul (2002) Renderings of Digital Art
http://www.nydigitalsalon.org/10/essay.php?essay=5

Efrat Shalem, Yanai Toister (2005) The Matrix of Curating
http://www.slashseconds.org/issues/001/003/articles/eshalem/index.php

Edward A. Shanken (1998) The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art http://www.artexetra.com/House.html

Luís Silva, et al (2005) On blogging as curating
http://vercodigofonte.blogspot.com/2005/11/on-blogging-as-curating.html

Katharina Schlieben (2002) Curating Per-Form. Reflections on the Concept of the Performative
http://www.kunstverein-muenchen.de/?dir=03_ueberlegungen_considerations&strShowFile=en_performative_curating.kvm

Anne-Marie Schleiner (2002) Fluidities and Oppositions among Curators, Filter Feeders and Future Artists, http://www.intelligentagent.com/archive/Vol3_No1_curation_schleiner.html

Trebor Scholz (2006) Curating New Media Art I http://mailman.thing.net/pipermail/idc/2006-April/001439.html

Trebor Scholz (2006) Curating New Media Art II
http://mailman.thing.net/pipermail/idc/2006-April/001444.html

Pit Schulz (2006) The Producer as Power User
http://www.nettime.org/Lists-Archives/nettime-l-0606/msg00136.html

Finn Smith (2006) Curating Self-Consciously
http://www.metamute.org/en/Curating-Self-Consciously

Keith Stuart (2007) Yesterday's Games could be Gold Dust to Collectors
http://www.guardian.co.uk/technology/2007/apr/19/games.guardianweeklytechnologysection2

Gloria Sutton (2004) Exhibiting New Media Art (Part 1 of 2)
http://kris.constantvzw.org/?p=20

Tate Modern (2005) Curating, Immateriality, Systems (conference)
http://www.tate.org.uk/onlineevents/archive/CuratingImmaterialitySystems

Mark Tribe, Reena Jana (2007-present) New Media Art (wiki)
[//wiki.brown.edu/confluence/display/MarkTribe/New%2BMedia%2BArt:https://wiki.brown.edu/confluence/display/MarkTribe/New%2BMedia%2BArt?]

Mark Tribe (2001) Archiving net.art
http://www.afsnitp.dk/onoff/Texts/tribearchivingne.html

Karen Verschooren (2007) .art - Situating Internet Art in the Traditional Institution for Contemporary Art http://cms.mit.edu/research/theses/KarenVerschooren2007.pdf

Benjamin Weil (2001) Untitled - A Brief History of äda'web
http://www.afsnitp.dk/onoff/Texts/weiluntitled-abr.html

Benjamin Weil (2001) Readme.txt - An Exploration of Various Directions in Networked Art Projects
http://www.afsnitp.dk/onoff/Texts/weilreadme.txt.html

Benjamin Weil (2002) Art in Digital Times: From Technology to Instrument
http://www.nydigitalsalon.org/10/essay.php?essay=9

Alena Williams (2002) Net Art and Process. Some Thoughts on Curatorial Practice
http://switch.sjsu.edu/nextswitch/switch_engine/front/front.php?artc=99

Jan Winkelmann (2001) Failure as a poetic dimension. A conversation with Harald Szeemann
http://www.jnwnklmnn.de/szeem_e.htm

Online Journals

balsas, journal on media culture

Fibreculture, peer reviewed journal that explores the issues concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability.

KONTROL, perspectives on control in the course of contemporary art, culture, technology, information channels and politics.

METAMUTE, culture and politics after the net.