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                                                                <font size="2" face="tahoma" style="color: #333333; font-size: 11px;"><br><br>February 7, 2010</font><br>
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                                                <br />
<br />
<b>The Exhibitionist: <br />
Journal on Exhibition Making</b><br />
<br />
Launch & talk with<br />
<b>Jens Hoffmann, Chus Martínez, <br />
Tara McDowell, Adriano Pedrosa</b> <br />
February 11, 2010, 6-9pm<br />
The talk starts at 7pm
                                        </font><br><br>
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                                                <b>ARCHIVE KABINETT</b><br />
Dieffenbachstraße 31<br />
10967 Berlin<br />
<br />
<a href="http://www.the-exhibitionist-journal.com" >http://www.the-exhibitionist-journal.com</a><br />
<a href="http://www.archivebooks.org" >http://www.archivebooks.org</a>
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                                                <b>The Exhibitionist</b>, a new journal made by curators, for curators, focusing solely on the practice of exhibition
making. The objective is to create a wider platform for the discussion of curatorial concerns - encourage a
diversification of curatorial models, and actively contribute to the formation of a theory of curating. It is published
by ARCHIVE BOOKS and will be distributed internationally, selling at major and specialty bookstores and newsstands. <br
/>
<br />
<b>The Exhibitionist</b> will be published twice a year and will follow a strict editorial structure. In each issue,
the <b>Curators' Favorites</b> section will present three texts in which three curators write a personal essay about an
exhibition, contemporary or historic, that has particularly impacted their thinking, followed by <b>Back in the Day</b>
- an in-depth look at a historically important exhibition. In <b>Assessments</b>, the core of the journal, four curators
will review a significant contemporary exhibition, each from his or her individual point of view. <b>Typologies</b>
debates specific exhibition formats. <b>Attitude</b> features a text by a member of the editorial board reflecting on
the current state of exhibition making. In <b>Rear Mirror</b>, two curators reflect upon exhibitions they have recently
curated. And, finally, <b>Endnote</b>, a brief remark on a notable aspect of curatorial practice. Every fourth issue
will include a conversation between some of the contributors about past issues; in this way the journal offers a forum
for self-reflexivity.<br />
<br />
The launch of the first issue of <b>The Exhibitionist</b> will be celebrated on February 11 at <b>ARCHIVE KABINETT</b>
in Berlin. Several of the contributors and members of the editorial board will be present; they will engage in a public
conversation about the current state of exhibition making and the new wave of publications on the subject of curating.
The speakers will include <b>Jens Hoffmann, Chus Martínez, Tara McDowell</b> and <b>Adriano Pedrosa</b>.<br />
<br />
<b>The Exhibitionist: Journal on Exhibition Making</b><br />
Editor: Jens Hoffmann<br />
Senior Editor: Tara McDowell<br />
Editorial Board: Carolyn Christov-Bakargiev, Okwui Enwezor, Mary Jane Jacob, Constance Lewallen, Maria Lind, Chus
Martínez, Jessica Morgan, Julian Myers, Paul O'Neill, Hans Ulrich Obrist, Adriano Pedrosa, Dorothea von Hantelmann<br
/>
Editorial Founders: Jens Hoffmann and Chiara Figone<br />
<br />
<b>Archive Books</b> is an independent publishing house committed to the development of a range of activities dedicated
to contemporary cultural production. Its work explores and conveys art publications as a method to bring art practices
into the public discussion. Archive Books aims to produce and distribute printed materials, allowing to create and
maintain a dialogue between cultural research and the social sphere.<br />
<br />
<b>Archive Kabinett</b> is a platform from where to experiment with formats and concepts related to the field of
publishing. Its intent is to investigate art practices in the context of a wider cultural and social environment<br />
Archive Kabinett's agenda is focused on the shifting cultural values and distribution possibilities, aiming also to
encourage a critical discussion around the function of an exhibition. From this starting point, it translates,
organizes, and circulates critically invested materials.<br />
<br />
Archive Kabinett is also the editorial office of Archive Books and Archive Journal. The design of its space is an
ongoing collaboration project with the architectural practice nOffice, <a href="http://www.nOffice.eu"
>http://www.nOffice.eu</a><br />
<br />
<b>ARCHIVE KABINETT</b><br />
Dieffenbachstraße 31, 10967 Berlin<br />
Opening hours: Monday-Sunday 3pm-8pm<br />
<a href="mailto:info@archivekabinett.org" >info@archivekabinett.org</a><br />
<a href="http://www.archivekabinett.org" >http://www.archivekabinett.org</a><br />
<br />
For information & press inquiries please contact: <br />
<b>ARCHIVE BOOKS</b><br />
<a href="mailto:info@archivebooks.org" >info@archivebooks.org</a><br />
<a href="http://www.archivebooks.org" >http://www.archivebooks.org</a><br />
<br />
<br />
For subscriptions and/or individual copies of The Exhibitionist you can also email: <br />
info@ the-exhibitionist-journal.com.<br />
<a href="http://www.the-exhibitionist-journal.com" >http://www.the-exhibitionist-journal.com</a><br />
<br />

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